Cyazon Finds His Sonic Sanctuary on Expansive New EP ‘Home’

Home by Cyazon feels like a rare moment of stillness—an emotional checkpoint along a cinematic journey. The five-track EP doesn’t just serve as another entry in his growing discography; it feels more like a statement of intent. A message to both fans and fellow producers: the future of melodic bass isn’t just about the drop—it’s about storytelling.

Across Home, Cyazon weaves a lush sonic tapestry that feels at once nostalgic and futuristic. It’s a sound rooted in the emotional weight of melodic dubstep but filtered through the retro glow of synthwave. The result is something both exhilarating and introspective—music that moves the body while tugging at the heart.

The title track “Home” featuring Natalie Shay is a standout. Shay’s vocals soar over shimmering synth textures and a drop that feels earned, not just engineered. It’s a slow burn that blooms into something cinematic and deeply human. “Reach For You” with Snnr and “Wait A While” with Leyla Diamondi continue that emotional thread, balancing tenderness with tension. These aren’t just collaborations—they’re conversations.

But it’s the two new cuts that really elevate the EP. “Lose My Mind” with glasscat is pure atmosphere—moody, layered, and slightly chaotic in the best way. There’s a sense of surrender to the track, a willingness to fall apart within the music. “White Lies” featuring Ollie Wride, meanwhile, is a neon-lit throwback that wouldn’t feel out of place on the Drive soundtrack. Wride’s vocals bring an analog warmth that complements Cyazon’s digital precision beautifully.

What makes Home so compelling isn’t just the production chops—though they’re undeniably sharp—it’s the emotional throughline. Every track feels intentional. Nothing is thrown in to fill space. The drops are powerful, yes, but they serve the song rather than dominate it. Cyazon isn’t flexing here. He’s inviting you in.

With support from scene giants like ILLENIUM, Gryffin, and SLANDER, and releases through juggernauts like Monstercat and Ophelia Records, Cyazon could easily coast on genre conventions. Instead, Home proves he’s still searching—for new sounds, new feelings, maybe even a new version of himself.

In a world of singles and algorithms, Home reminds us why the EP format still matters. It’s a journey with a beginning, middle, and end—a rare bit of cohesion in a scattered digital landscape. And with every note, Cyazon builds a world that feels just familiar enough to believe in.

This isn’t just where he’s been—it’s where he’s going. And for now, it’s good to be Home.