
Above & Beyond and Justine Suissa Reunite on New “Bigger Than All Of Us”
Seven years is a long time in electronic music. Entire genres have burned bright and vanished in less time. But for Above & Beyond, the wait has always been about precision, not pressure—and with the release of “Bigger Than All Of Us,” the title track from their upcoming studio album, it’s clear that the trio still knows how to strike emotional gold.
Reuniting with longtime collaborator Justine Suissa, the track feels like a return not only to form, but to something deeper—a shared language built over decades. Suissa’s voice drifts over delicate synth washes and echoing percussion like a memory half-remembered, half-etched in stone. The arrangement is sparse, but not empty.
Jono Grant described the production as “very simple in terms of instrumentation” but layered in its arrangement—a sentiment that rings true upon listening. There’s a middle eight that subtly breaks from the trance tradition, adding a songwriter’s touch to a club genre that often forgets its narrative potential. It’s these small choices that make Above & Beyond feel singular in a sea of formula.
And yet, simplicity is deceptive. “Bigger Than All Of Us” arrives not as a banger, but as a statement—rooted in unity, introspection, and a kind of quiet grandeur that’s rare in today’s high-octane EDM space. This isn’t festival fodder. It’s a song meant to sit with you, to follow you home after the lights go out.
Above & Beyond’s work with Suissa has always hit a different register—emotionally direct, but never cloying. From “Almost Home” to earlier classics like “On A Good Day,” their collaborations seem to bypass the trends entirely. In “Bigger Than All Of Us,” that chemistry remains not only intact but has evolved.
With the full album scheduled to drop July 18 via Anjunabeats, expectations are quietly mounting. If the title track is any indication, Bigger Than All Of Us won’t be about chasing the next big thing. It will be about remembering why any of this matters in the first place.
Because sometimes, the most powerful thing a song can do is not explode—but echo.