James Grebb Unveils ‘Remedy,’ a Unique House Music Track

James Grebb isn’t following trends—he’s building his own lane. On his latest single Remedy, the Denver-based producer dives headfirst into what he’s dubbed “abstract house,” a fusion of electro grit and bass house bounce wrapped in emotional undertones. It’s a track that pulses with intent, balancing cerebral sound design with undeniable dancefloor energy.

From the first beat, Remedy casts a hypnotic spell. Atmospheric pads set the scene—smoky, moody, cinematic—before giving way to an undulating bassline that’s equal parts groove and gravity. There’s a melodic vocal line floating at the center, not dominating but enhancing, like a memory echoing through a warehouse at 3 a.m. It’s dance music that feels personal, like a diary written in sub-bass.

Grebb has always been hard to pin down, and that’s precisely the point. With Remedy, he doubles down on his “abstract house” ethos, a self-styled genre that refuses to be boxed in. There are shades of tech house, flashes of future bass, and a minimalist’s restraint that keeps everything tight and focused. But what makes it work isn’t just the sound palette—it’s the cohesion. Every layer feels deliberate, every transition earns its moment.

It’s not surprising that heavyweights like Danny Avila, Trap Nation, and Pasquale Rotella have thrown their support behind Grebb. Nor is it a shock that his resume includes appearances at Global Dance Festival, Decadence, and Larimer Lounge. What is surprising—refreshing, even—is that Grebb isn’t content to ride the hype wave. Remedy is proof he’s still in the lab, still experimenting, still pushing his sound forward.

At a time when electronic music often feels algorithmically engineered, Remedy arrives like a jolt of realness. It’s not just a track; it’s a reintroduction. A reminder that dance music can be intelligent without being inaccessible. Emotional without being melodramatic. And above all, inventive without sacrificing its core function—to move you.

James Grebb isn’t just returning—he’s recalibrating the scene. And Remedy is a signal that he’s only just getting started.